Erte, Experimentation, and Irony: Suhaila Salimpour’s “Pharaonic Suite”

When looking at the total of Suhaila’s recorded performances, you might notice that the “Pharaonic Suite” on the 1988 production Dances for the Sultan is different. The movements are highly stylized, bound, and deliberate. If you are familiar with more “traditional” interpretations of Arabic music, you might also notice that this particular work challenges those [...]